It was an opening night at UP Film Center (or Cine Adarna) of Human Rights Film Festival. Cocktails started at 6pm and followed up by the performance of Carol Bello Banderitas.
The opening film was Lelaki Komunis Terakhir (The Last Communist) by Amir Muahmmad and was preceded by the World Premiere of Martyn See's short documentary, Speakers Cornered
Synopsis
This is a hybrid documentary, not because it combines fact and fiction, but because it combines testimony with song. Chin Peng (real name: Ong Boon Hua) was born in 1924 and is the last leader of the banned Communist Party of Malaya. He now lives in Thailand because the Malaysian government does not allow him to return, despite his repeated attempts to go through the courts.
The Communist Party of Malaya was set up in 1930 (in a ceremony attended by Ho Chi Minh) and recruited from the working class (mainly ethnic Chinese) exploited by colonial British economic interests. The CPM played an active role in the anti-Japanese resistance movement during World War Two, and cooperated with the British. But once the Japanese surrendered, the communists wanted to take over the country for themselves. This is when they and the British became enemies once again. 1948-60 is the era known as the Emergency, the longest and bloodiest undeclared war in Commonwealth history. Driven to operate from secret jungle hideouts, the communists carried out several attacks against British economic and security targets. While still in his 20s, Chin Peng became the most wanted man in the British empire.
The British curtailed the communist influence by keeping the public in heavily-guarded, racially segregated villages, so that the people could no longer supply food and medicine to the guerillas. The propaganda war was stepped up too. Many of the documentaries of that era (made by the propaganda arm of the British Army in Malaya) featured songs to keep the target audience entertained. “The Last Communist” pays ironic tribute to this root of Malaysian documentary by also inserting specially-composed songs.
After Malaya achieved independence in 1957, the new government kept to the British model of governance and priorities. In the Cold War, Malaysia was firmly allied with the West, and Communism became the ultimate bogey right up to the 1980s. No positive mention of the communists’ role in history would ever be allowed.
“The Last Communist” uses this historical data as backdrop, but is more interested in seeing how the country has changed (or not) from the time of Chin Peng’s youth to now. The director and his crew travel to the towns Chin Peng lived in from birth to national independence. Most of these towns are still not very developed as the modern highways bypass them.
Interviews with various people in these towns are sought. They will talk about their jobs and their beliefs in various languages, reflecting the multilingual and polymorphous reality of contemporary Malaysia. Some of these have a direct connection to some aspect of Chin Peng’s life. (For example, a bicycle seller, after we find out Chin Peng’s family was in the bicycle trade). In other instances, the interviews are meant to form a telling view of how present-day Malaysians view themselves in the economic, social and political order.
The longest sequence takes place in Betong, Thailand, home of many exiled members of the Communist Party of Malaya. They too will take about their jobs and beliefs, and the audience is meant to reflect on how similar or different they are from the Malaysians we had met earlier. For starters, they too enjoy singing.
(Back, L-R) ???, Jake and Caloy
Don't get confused... Because me myself did...
